88,800 views
10,700 likes
923 saves
*TikTok exclusive
sedyyfilms Shot entirely on the Galaxy S26. @samsung
Trusted By
My shoots depend on natural light, and it does not last long. Once it goes, there is nothing on set to hold the look.
None of that extra shooting time exists without Aputure. Its BLAIR Light Engine holds the color I set after the natural light has gone, and its weatherproofing keeps it working outdoors.
Nine months of my creative work has been watched 41.8M times, and the question that keeps showing up underneath it is what I shoot on.
An Aputure light comes on my shoots and appears in the videos, being set up and used. The trips it travels on and the moments it lights on camera are details we settle together on a call.
Four things the light does on these shoots, each one shown on camera.
A package like this runs $7,000 to $10,000 and moves toward the top of that range as more of the kit enters the work. That covers the Reels and Stories work itemized below plus a carousel integration, and usage rights run six months organic and 30 days paid, both extendable. Everything is tagged to you, and every video comes to you before anything is posted, with one round of changes included.
This is a starting point, not a fixed price. Tell me the budget you are working with and the package gets rebuilt around it, with the scope moved up or down to match.
Built around the evening and night work already on my calendar, with the Aputure light carried into every frame that needs it.
Posted to 1M+ AudienceA curated set of stills from the same shoots, carrying the same look the Reels do.
Posted to 275K+ InstagramDelivered live while the shoot is happening, each Story tagging Aputure.
Posted to 275K+ InstagramDelivered in full resolution and licensed for your channels. 6 months organic and 30 days paid, both extendable.
Yours to Keep & RunNobody buys a light from an advert any more. They watch somebody they already follow use it on real work, and then they go and find out what that shot was lit with. The review comes later and the footage comes first.
Across the 126 videos I have posted in the last nine months my videos average 332K views each. Over the same nine months that came to 513K saves and 579K shares, which are the two things nobody does by accident. Saving a post is somebody planning to come back to it, and sharing it is somebody putting their own name behind the recommendation. That is intent, and it is the part that keeps working after the campaign ends. The videos stay up on my page, so somebody can find one a year from now and still see exactly how that light was used.
Every figure here is Instagram only. The same videos also go to a separate TikTok audience, so the real reach is higher.
Real campaigns, real numbers. The same cinematic format I would bring to Aputure.
A paid campaign for the Galaxy S26, built around Samsung’s new Horizontal Lock feature. Shot as a fully cinematic piece instead of a demo, with the feature used for real through story-first, face-forward filmmaking, so it plays like content first and an ad second.
The DJI Osmo 360 launch, captured as a single-take 360 story built to show the camera in real use, out shooting at golden hour. One tap, the whole scene.
The Insta360 Ace Pro 2 launch, shot as a cinematic low-light travel piece rather than a spec demo. That format carried it past half a million views on TikTok.
The Antigravity A1 flown at sunrise over Budapest, shot as a morning film instead of a product demo. The first 360 drone, shown doing the thing people actually want it for.
Sponsored storytelling for Wondershare’s creative software, Repairit and Recoverit. Two briefs that could easily have been screen-recorded tutorials, told instead as real moments from my own workflow.
Across the two posts: 115K+ views on Instagram and close to 100K more on TikTok, for a software tool. That is the point of the format. The product sits inside a story people already want to watch, and that carries over directly to a camera I would be filming with in every frame.
Viewers regularly ask which cameras I use and what made the shot.
My content opens on me, not the view, and my audience knows my face and trusts my taste. So when a car appears in my frame, the comments fill with people asking what it is and where to find one.
Every piece is color-graded, sound-designed, and paced for emotion, so it plays as content first and advert second, and sponsored work sits on my grid without breaking it.
That is likes, comments, saves and shares measured against the reach of each post, and half of everything I put out does better than it. These are not passive followers. They save, share, and DM asking "where is this?" and "what did you shoot this on?" within hours of a post going live.
Everything I post is built on story, cinematography and the feeling of actually being there, as that is what my audience stays for and why they trust what I show them. That trust is what a brand steps into when we work together.
Eduard crafts cinematic travel and lifestyle visuals that fully immerse audiences into his world. His content evokes emotion, inspires adventure, and consistently resonates at scale, built on a foundation of authentic storytelling and a filmmaker's eye for every frame. His work has reached over 700M views and earned the trust of some of the world's most recognizable brands.