sedyyfilms Shot entirely on the Galaxy S26. @samsung
The Osmo Pocket 4 / 4P comes with me on a cinematic route through Europe: Barcelona, Paris, the Swiss Alps and Rome. A 1-inch sensor on a true mechanical gimbal in a format compact enough to always be on me, out and rolling in seconds, steady through real travel days with no rig to build and no shot to set up.
Here’s the value: the story is the use case. My audience already asks what I film with under almost every post, and for four cities they watch the answer in action: D-Log travel film, low-light city nights, ActiveTrack one-takes, and the moments a bigger setup would have missed. Functionality, ease of use and reliability, shown by living with it.






Real campaigns, real numbers. The same cinematic format I would bring to the Osmo Pocket 4.
A paid campaign for the Galaxy S26, built around Samsung’s new Horizontal Lock feature. Rather than a demo, the feature was seamlessly integrated into a fully cinematic piece, showcased in action through story-first, face-forward filmmaking, so it plays like content first and an ad second.
The Insta360 Ace Pro 2 launch, shot as a cinematic low-light travel piece rather than a spec demo. That format carried it past half a million views on TikTok.
The DJI Osmo 360 launch, captured as a single-take 360 story built to show the camera in real use, out shooting at golden hour. One tap, the whole scene.
Sponsored storytelling for Wondershare’s creative software, Repairit and Recoverit. Two briefs that could easily have been screen-recorded tutorials, told instead as real moments from my own workflow.
Across the two posts: 115K+ views on Instagram and close to 100K more on TikTok, for a software tool. That’s the point of the format. The product sits inside a story people already want to watch, and that carries over directly to a camera I would be filming with in every frame.
My content opens on me, not the view. My audience knows my face and trusts my taste. When I show them the gear I actually use, the comments fill with people asking what it is and where to get it.
Every piece is colour-graded, sound-designed, and paced for emotion. It reads as film first and ad second, which is why sponsored work sits on my grid without breaking it.
At 13.9%, engagement is roughly seven times the industry average. These are not passive followers. They save, share, and DM asking "where is this?" and "what did you shoot this on?" within hours of a post going live.
The camera already in my hand for four cities, shown to an audience that asks what I shoot on within hours of every post. The Osmo Pocket 4 becomes the way the content is made.
Fully produced, story-driven Reels shot on the Osmo Pocket 4, cross-posted to my Instagram and TikTok and tagged to the brand. The format that reaches far beyond my own followers.
Cross-Posted · 1M+ AudienceFour Stories posted live during the trip, each showing the Pocket in use, driving immediate profile visits and product interest directly to you.
Posted to 278K+ InstagramCurated multi-image posts with natural product placement, showing what daily life with the Pocket looks like across the journey. The format my audience saves and returns to most.
Posted to 278K+ Instagram30-day paid usage (extendable) plus one year of organic usage (extendable). Every asset cleared to run as paid media: TikTok Spark and Instagram Partnership Ads.
30-Day Paid + 1-Yr Organic





















Eduard crafts cinematic travel and lifestyle visuals that fully immerse audiences into his world. His content evokes emotion, inspires adventure, and consistently resonates at scale, built on a foundation of authentic storytelling and a filmmaker's eye for every frame. His work has reached over 700M views and earned the trust of some of the world's most recognisable brands.