88,800 views
10,700 likes
923 saves
*TikTok exclusive
sedyyfilms Shot entirely on the Galaxy S26. @samsung
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A 360 camera solves a problem nobody puts in a launch video, which is that the moment happens once and the angle you picked is the angle you are stuck with. The Insta360 X6 takes that decision out of the moment and hands it back to me at the desk, where I can see what I actually caught.
So I am taking it to Portugal for a week in late September. The ocean road, a luxury car to drive it in, somewhere worth staying, and the spots people save a photo of but never get to. One recording of any of it opens out into three finished videos that look like three different setups. Raising the stick over a wall or a cliff edge gives the reveal everybody assumes came off a drone, and nothing ever left the ground.
Nine months of my creative work has been watched 41.8M times, and the single most common question underneath it is what I shoot on.
A week in Portugal in late September, driving the coast in a luxury car. The route takes in the country's most iconic stops and the beautiful nature between them. Every authentic moment is captured on the Insta360 X6, to the same cinematic standard my audience knows me for.
A variety of videos in the style my audience follows me for, with the camera as the powerhouse behind the work. They run from a more direct review to cinematic compositions showing genuine use.
A package like this, with 3 cinematic video posts, 1 photo carousel integration, 2 Instagram Stories sets and 12 months organic plus 30 days paid usage, is priced around $10,000. Everything is tagged to you, and every video comes to you before anything is posted, with one round of changes included.
This is a starting point, not a fixed price. Tell me the budget you are working with and the package gets rebuilt around it, with the scope moved up or down to match.
Fully produced and cross-posted to Instagram and TikTok, every frame shot on the camera itself.
Posted to 1M+ AudienceA curated multi-image post carrying the look of the whole trip, and the format my audience saves.
Posted to 275K+ InstagramDelivered live while the shoot is still happening, each Story tagging your brand.
Posted to 275K+ InstagramDelivered in full resolution and licensed for your channels. 12 months organic and 30 days paid, both extendable.
Yours to Keep & RunNobody buys a camera from an advert any more. They watch somebody they already follow make something they wish they had made, and then they go and find out what it was shot on. The review comes later and the footage comes first.
Across the 126 videos I have posted in the last nine months my videos average 332K views each. Over the same nine months that came to 513K saves and 579K shares, which are the two things nobody does by accident. Saving a post is somebody planning to come back to it, and sharing it is somebody putting their own name behind the recommendation. That is intent rather than attention, and it is the part that keeps working after the campaign ends. The videos stay up on my page, so somebody can find one a year from now and watch that camera being used.
Every figure here is Instagram only. The same videos also go to a separate TikTok audience, so the real reach is higher.
Real campaigns, real numbers. The same cinematic format I would bring to the X6.
A paid campaign for the Galaxy S26, built around Samsung’s new Horizontal Lock feature. Rather than a demo, the feature was seamlessly integrated into a fully cinematic piece, showcased in action through story-first, face-forward filmmaking, so it plays like content first and an ad second.
The DJI Osmo 360 launch, captured as a single-take 360 story built to show the camera in real use, out shooting at golden hour. One tap, the whole scene.
The Insta360 Ace Pro 2 launch, shot as a cinematic low-light travel piece rather than a spec demo. That format carried it past half a million views on TikTok.
The Antigravity A1 flown at sunrise over Budapest, shot as a morning film instead of a product demo. The first 360 drone, shown doing the thing people actually want it for.
Sponsored storytelling for Wondershare’s creative software, Repairit and Recoverit. Two briefs that could easily have been screen-recorded tutorials, told instead as real moments from my own workflow.
Across the two posts: 115K+ views on Instagram and close to 100K more on TikTok, for a software tool. That’s the point of the format. The product sits inside a story people already want to watch, and that carries over directly to a camera I would be filming with in every frame.
People rarely mention equipment until they cannot work out how something was possible. 200+ comments bring up my gear, and more of them ask the same in my DMs, almost always where the honest answer turned out to be a camera nobody expected.
My content opens on me, not the view, and my audience knows my face and trusts my taste. So when a car appears in my frame, the comments fill with people asking what it is and where to find one.
Every piece is color-graded, sound-designed, and paced for emotion, so it plays as content first and advert second, and sponsored work sits on my grid without breaking it.
That is likes, comments, saves and shares measured against the reach of each post, and half of everything I put out does better than it. These are not passive followers. They save, share, and DM asking "where is this?" and "what did you shoot this on?" within hours of a post going live.
Everything I post is built on story, cinematography and the feeling of actually being there, as that is what my audience stays for and why they trust what I show them. That trust is what a brand steps into when we work together.
Eduard crafts cinematic travel and lifestyle visuals that fully immerse audiences into his world. His content evokes emotion, inspires adventure, and consistently resonates at scale, built on a foundation of authentic storytelling and a filmmaker's eye for every frame. His work has reached over 700M views and earned the trust of some of the world's most recognizable brands.