sedyyfilms Shot entirely on the Galaxy S26. @samsung
Four Cities, Every Moment Captured.
Ray-Ban Meta comes with me on a cinematic route through Europe: Barcelona, Paris, the Swiss Alps and Rome. Because I’m wearing them, the camera is always there. It catches each moment as it happens, from my exact point of view, with nothing to pull out and no shot to set up.
Here’s the value: the story is the use case. My audience already asks what I film with under almost every post, and for four cities they watch the answer in action: POV shots through real travel days, the behind the scenes of my creative process, and the moments I would have otherwise missed. Functionality, ease of use and reliability, shown by living with them.





Real campaigns, real numbers. The same cinematic format I would bring to Ray-Ban Meta.
A paid campaign for the Galaxy S26. A full cinematic piece built to show the phone as a creator’s tool, not a spec sheet, and cut so it plays like content first and an ad second.
The Insta360 Ace Pro 2 launch, shot as a cinematic low-light travel piece rather than a spec demo. That format carried it past half a million views on TikTok.
The DJI Osmo 360 launch, captured as a single-take 360 story built to show the camera in real use, out shooting at golden hour. One tap, the whole scene.
Sponsored storytelling for Wondershare’s creative software, Repairit and Recoverit. Two briefs that could easily have been screen-recorded tutorials, told instead as real moments from my own workflow.
Across the two posts: 115K+ views on Instagram and close to 100K more on TikTok, for a software tool. That’s the point of the format. The product sits inside a story people already want to watch, and that carries over directly to a pair of glasses I would be wearing in every frame.
My content opens on me, not the view. My audience knows my face and trusts my taste. When I show them the gear I actually use, the comments fill with people asking what it is and where to get it.
Every piece is colour-graded, sound-designed, and paced for emotion. It reads as film first and ad second, which is why sponsored work sits on my grid without breaking it.
At 13.9%, engagement is roughly seven times the industry average. These are not passive followers. They save, share, and DM asking "where is this?" and "what did you shoot this on?" within hours of a post going live.
The camera I would already be wearing, made visible to an audience that asks what I shoot on within hours of every post. Ray-Ban Meta becomes the way the content is made.
Fully produced, story-driven Reels shot through Ray-Ban Meta, cross-posted to my Instagram and TikTok and tagged to the brand. The format that reaches far beyond my own followers.
Cross-Posted · 1M+ AudienceFour Stories posted live during the trip, each showing the glasses in use, driving immediate profile visits and product interest directly to you.
Posted to 278K+ InstagramCurated multi-image posts with natural product placement, showing what daily life with the glasses looks like across the journey. The format my audience saves and returns to most.
Posted to 278K+ Instagram30-day paid usage (extendable) plus one year of organic usage (extendable). Every asset cleared to run as paid media: TikTok Spark and Instagram Partnership Ads.
30-Day Paid + 1-Yr Organic





















Eduard makes cinematic travel and lifestyle films that pull audiences into his world. Every frame is shot and graded with a filmmaker's eye, and the stories are built to be watched to the end, not scrolled past. His work has reached over 700M views and earned the trust of some of the world's most recognisable brands.