88,800 views
10,700 likes
923 saves
*TikTok exclusive
sedyyfilms Shot entirely on the Galaxy S26. @samsung
Trusted By
I would build a Q4 campaign around the moment the Z Fold8 Ultra opens. Everything I shoot is graded wide and then watched on a tall, narrow screen, and none of this happens without the phone that opens back out.
I have already shot a paid Samsung campaign built around Horizontal Lock. This one is a story-led cinematic video showcasing the Galaxy Z Fold8 Ultra experience and the features that carry it, with the places settled on a call.
Nine months of my creative work has been watched 41.8M times, nearly all of it on a phone screen.
A Q4 shoot built around the Galaxy Z Fold8 Ultra being opened. A story-led cinematic video showcasing the phone and the features that carry it, with the places and the moments shaped together on a call. The phone comes out closed and ends up open, to the same cinematic standard my audience knows me for.
The moment the phone opens is the one thing no other phone has, so every piece is built around it.
A camera spec is a number people argue about. A screen unfolding in front of two people is something a viewer can see for themselves, and it happens on camera every time.
A package like this, with 2 cinematic video posts, 1 carousel integration, 2 Instagram Stories sets and 12 months organic plus 30 days paid usage, is priced at $20,000 to $24,000. Everything is tagged to you, and every video comes to you before anything is posted, with one round of changes included.
This is a starting point, not a fixed price. Tell me the budget you are working with and the package gets rebuilt around it, with the scope moved up or down to match.
Fully produced and cross-posted to Instagram and TikTok. Every one of them turns on the screen opening out, filmed so the size difference is the thing you see.
Posted to 1M+ AudienceA curated multi-image post carrying the look of the whole shoot. It is shot wide and posted wide, in the format my audience saves.
Posted to 275K+ InstagramDelivered live while the shoot is still happening, including the unfolded screen in real hands, each Story tagging your brand.
Posted to 275K+ InstagramDelivered in full resolution and licensed for your channels. 12 months organic and 30 days paid, both extendable.
Yours to Keep & RunNobody buys a phone from an advert any more. They watch somebody they already follow use it for real, and then they want to see it properly. A spec sheet cannot demonstrate a bigger screen. The only thing that sells a screen is watching something good on one, which means the campaign has to be worth opening the phone for.
Across the 126 videos I have posted in the last nine months my videos average 332K views each. Over the same nine months that came to 513K saves and 579K shares, which are the two things nobody does by accident. Saving a post is somebody planning to come back to it, and sharing it is somebody putting their own name behind the recommendation. That is intent, and it is the part that keeps working after the campaign ends. The videos stay up on my page, so somebody can find one a year from now and watch that phone being used.
Every figure here is Instagram only. The same videos also go to a separate TikTok audience, so the real reach is higher.
Real campaigns, real numbers. The first one below is the horizontal brief, already delivered for Samsung.
A paid campaign for the Galaxy S26, built around Samsung’s new Horizontal Lock feature. Shot as a fully cinematic piece instead of a demo, with the feature used for real through story-first, face-forward filmmaking, so it plays like content first and an ad second.
The DJI Osmo 360 launch, captured as a single-take 360 story built to show the camera in real use, out shooting at golden hour. One tap, the whole scene.
The Insta360 Ace Pro 2 launch, shot as a cinematic low-light travel piece rather than a spec demo. That format carried it past half a million views on TikTok.
The Antigravity A1 flown at sunrise over Budapest, shot as a morning film instead of a product demo. The first 360 drone, shown doing the thing people actually want it for.
Sponsored storytelling for Wondershare’s creative software, Repairit and Recoverit. Two briefs that could easily have been screen-recorded tutorials, told instead as real moments from my own workflow.
Across the two posts: 115K+ views on Instagram and close to 100K more on TikTok, for a software tool. That is the point of the format. The product sits inside a story people already want to watch, and that carries over directly to a phone I would be filming with in every frame.
Every one of these is somebody stopping to look closer at a frame. 200+ comments bring up my gear.
My content opens on me, not the view, and my audience knows my face and trusts my taste. So when I turn a phone sideways and hand it to somebody, the comments fill with people asking what it is and where to get one.
Every piece is color-graded, sound-designed, and paced for emotion, so it plays as content first and advert second, and sponsored work sits on my grid without breaking it.
That is likes, comments, saves and shares measured against the reach of each post, and half of everything I put out does better than it. These are not passive followers. They save, share, and DM asking "where is this?" and "what did you shoot this on?" within hours of a post going live.
Everything I post is built on story, cinematography and the feeling of actually being there, as that is what my audience stays for and why they trust what I show them. All of it is shot wide and then squeezed into a vertical frame to reach them. A campaign about the unfolded screen is the first time my audience gets to see the work at the size I made it. That trust is what a brand steps into when we work together.
Eduard crafts cinematic travel and lifestyle visuals that fully immerse audiences into his world. His content evokes emotion, inspires adventure, and consistently resonates at scale, built on a foundation of authentic storytelling and a filmmaker's eye for every frame. His work has reached over 700M views and earned the trust of some of the world's most recognizable brands.