sedyyfilms Shot entirely on the Galaxy S26. @samsung
Nothing in my hands. Everything in frame.
My most-watched format is point of view: the walk into the square, the turn onto the street, the moment you find the spot. Until now that meant a camera sitting between me and the moment. The Gentle Monster edition takes it out: this campaign shoots that exact format across Rome, Paris and Switzerland, from the one angle I have never properly been able to give my audience.
I have already delivered a paid Samsung flagship campaign, 88,800 views, 10,700 likes and 923 saves as a sponsored post, for an audience that asks what I shoot with 150+ times. And the Gentle Monster edition has to look right worn, not just work well, which is exactly what my feed is built on. This is gear that has to pass both tests, and both tests are the job.

The Gentle Monster edition becomes the camera for my most-watched format, point of view, filmed hands free across the European block.
1–3 cinematic POV shorts shot through the eyewear, plus a worn-on-face layer for the fashion side.
Built for the launch window, filmed on the Rome, Paris and Switzerland block. Timing set to your ship date.
I have already delivered a paid Samsung flagship campaign: 88,800 views, 10,700 likes and 923 saves on the sponsored piece.
Real campaigns, real numbers. The same cinematic format I would bring to Samsung.
A paid campaign for the Galaxy S26. A full cinematic piece built to show the phone as a creator’s tool, not a spec sheet, and cut so it plays like content first and an ad second.
The Insta360 Ace Pro 2 launch, shot as a cinematic low-light travel piece rather than a spec demo. That format carried it past half a million views on TikTok.
The DJI Osmo 360 launch, captured as a single-take 360 story built to show the camera in real use, out shooting at golden hour. One tap, the whole scene.
Sponsored storytelling for Wondershare’s creative software, Repairit and Recoverit. Two briefs that could easily have been screen-recorded tutorials, told instead as real moments from my own workflow.
Across the two posts: 115K+ views on Instagram and close to 100K more on TikTok, for a software tool. That’s the point of the format. The product sits inside a story people already want to watch, and that carries over directly to the product I would be creating with in every frame.
The most-asked question under my videos isn't praise, it's this one. Nobody prompted a single comment here. They're just the people who cared enough to type it, and there are over 100 of them.
My content opens on me, not the view. My audience knows my face and trusts my taste. When I show them the gear I actually use, the comments fill with people asking what it is and where to get it.
Every piece is colour-graded, sound-designed, and paced for emotion. It reads as film first and ad second, which is why sponsored work sits on my grid without breaking it.
That is likes, comments, saves and shares measured against the reach of each post, and half of everything I put out does better than it. These are not passive followers. They save, share, and DM asking "where is this?" and "what did you shoot this on?" within hours of a post going live.
Every piece is crafted with authenticity, keeping storytelling, cinematography, and human connection at the heart of the frame. That is what evokes deep emotion in my audience, and what turns viewers into a highly engaged, loyal community: the exact value brands look for when partnering with Sedyy.
Shot through the Gentle Monster edition, hands free, across Rome, Paris and Switzerland, cut so the eyewear reads as the way the shot happens rather than the thing being advertised. Scope starts at one short and scales to three across the route. Cross-posted to my Instagram and TikTok and tagged to Samsung. The format that reaches far beyond my own followers.
Cross-Posted · 1M+ AudienceFour Stories posted live during the campaign, showing the frames worn on face as well as in use, so the fashion side of the Gentle Monster collaboration is covered alongside the capture side. Drives immediate profile visits and product interest directly to you.
Posted to 275K+ InstagramCurated multi-image posts of the frames worn through Rome, Paris and Switzerland, next to the shots taken through them. The format my audience saves and returns to most.
Posted to 275K+ Instagram30-day paid usage (extendable) plus one year of organic usage (extendable). Every asset cleared to run as paid media: TikTok Spark and Instagram Partnership Ads.
30-Day Paid + 1-Yr Organic





















Eduard crafts cinematic travel and lifestyle visuals that fully immerse audiences into his world. His content evokes emotion, inspires adventure, and consistently resonates at scale, built on a foundation of authentic storytelling and a filmmaker's eye for every frame. His work has reached over 700M views and earned the trust of some of the world's most recognisable brands.