sedyyfilms Shot entirely on the Galaxy S26. @samsung
Four Cities. Captured. Edited. Stored.
SanDisk comes with me on a cinematic route through Europe: Barcelona, Paris, the Swiss Alps and Rome. Cards in the camera, drives in the bag, the whole workflow moving with me from the first shot of the day to everything stored safely that night.
Here’s the value: every trip I post, people ask how I shoot this much footage and never lose a frame. For four cities, the answer is the gear already in my bag, working through real travel days, not a staged demo. This is the product shown the way my audience actually trusts it, doing its job in the middle of a real trip: functionality, ease of use and reliability, shown on the go.






Real campaigns, real numbers. The same cinematic format I would bring to the SanDisk campaign.
A paid campaign for the Galaxy S26: a full cinematic piece built to show the phone as a creator’s tool, not a spec sheet. Made to travel through the algorithm and land as content first.
The Insta360 Ace Pro 2 launch, shot as a cinematic low-light travel piece rather than a spec demo, the format that carried it past half a million views on TikTok.
The DJI Osmo 360 launch, captured as a single-take 360 story, one tap for the whole scene, built to show the camera in real use, out shooting at golden hour.
Sponsored storytelling for Wondershare’s creative software, Repairit and Recoverit. Two briefs that could easily have been screen-recorded tutorials, told instead as real moments from my own workflow.
Across the two posts: 115K+ views on Instagram and close to 100K more on TikTok, for a software tool. That’s the point of the format. The product sits inside a story people already want to watch, and that carries straight over to the cards and drives I would be shooting and storing on in every frame.
My content opens on me, not the view. My audience knows my face and trusts my taste. When I show them the gear I actually shoot and store on, the comments fill with people asking what it is and where to get it.
Every piece is colour-graded, sound-designed, and paced for emotion. It reads as film first and ad second, which is why sponsored work sits on my grid without breaking it.
At 13.9%, engagement is roughly seven times the industry average. These are not passive followers. They save, share, and DM asking "where is this?" and "how do you store all this?" within hours of a post going live.
The workflow already in my bag, made visible to an audience that keeps asking how I shoot, edit, and store it all. SanDisk becomes the answer they were already looking for.
Fully produced, story-driven Reels - shot on SanDisk cards and edited off the drive - cross-posted to my Instagram and TikTok and tagged to the brand, reaching far beyond existing followers through the algorithm.
Cross-Posted · 1M+ AudienceFour Stories posted live during the trip, each putting the drives and cards in use - offloading, editing, storing - driving product interest directly to you.
Posted to 278K+ InstagramCurated multi-image posts with natural product placement, showing the gear at work across the journey. The format my audience saves and returns to most.
Posted to 278K+ Instagram30-day paid usage (extendable) plus one year of organic usage (extendable). Every asset cleared to run as paid media - TikTok Spark + Instagram Partnership Ads.
30-Day Paid + 1-Yr Organic





















Eduard makes cinematic travel and lifestyle films that pull audiences into his world. Every frame is shot and graded with a filmmaker's eye, and the stories are built to be watched to the end, not scrolled past. His work has reached over 700M views and earned the trust of some of the world's most recognisable brands.